10/40/70 #12: Straight Time
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Straight Time, directed by Ulu...
View Article10/40/70 #13: The Host
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine The Host, directed by Bong...
View Article10/40/70 #14: Blair Witch and House of Leaves
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine the Blair Witch Project and compare...
View Article10/40/70 #15: Raw Deal
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Raw Deal by Anthony Mann. Raw...
View Article10/40/70 #16: Gerry
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Gerry, directed by Gus Van Sant....
View Article10/40/70 #17: Aspen Extreme
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Aspen Extreme.Aspen Extreme was the...
View Article10/40/70 #22: The Ghost Writer
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine The Ghost Writer, directed by Roman...
View Article10/40/70 #27: Shadow of a Doubt
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Shadow of a Doubt, directed by...
View Article10/40/70 #30: Machine Gun McCain
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Machine Gun McCain, directed by...
View Article10/40/70 #34: Alien
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Alien, directed by Ridley Scott...
View Article10/40/70 #9: The Descent
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine The Descent, by Neil Marshall.The...
View Article10/40/70 #11: Mildred Pierce
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine Mildred Pierce, directed by Michael...
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